These are constructed of a major triad (as in the table below) and then adding a minor 7th on the top (10 semitones above the root forming dominant 7th chords). Swing (or straight), Minor Blues (in 6/4) Freddie The Freeloader - Bb - Med. - Cm - Fast Swing, 12-bar Minor Blues. Stream 12 Bar Blues Backing Track (A Minor) by danjazzproof from desktop or your mobile device In fact, the labels aren’t even that important for now. Swing, 12-bar (V-IV) Mr. P.C. This is similar to what we did in the lesson on licks using the minor pentatonic scale. The key of Bb has the following chords for I, IV and V: The 12 bar blues in the key of B flat would look like this: Simple right? Leave "Minor Blues Progression" and Return to Guitar Lessons But that’s the point. Just to recap, the seven chords in a key are as follows: The I, IV and V chords represent the Major chords in a given key (which is why the numerals are written in uppercase). Observe the following two scale diagrams. Experiment again with playing the minor blues scale and use bends, particularly with the ‘4’. If we are playing a song in the key of G major, the G major chord is the I chord. The 12 bar blues is the most commonly occurring chord sequence within the blues. As we bend it, it moves towards Eb (the ‘b5’) and then towards E (the ‘5’). Once you learn to play the 12-bar blues on the guitar, you can play such classic blues pieces as “Hound Dog,” “Stormy Monday,” “Kansas City,” “St. In the case of the A minor blues scale, those chords are A, D, and E. 12 bar blues is basically a I IV V progression, meaning in the key of A will be A, D and E. So our three scales we will be working with will be: A Major Pentatonic. What we’re going to do now is play a 12 Bar Blues in the key of A, but instead of simply playing chords, we’re going to use a riff. The Minor Blues Progression is a variation of the standard 12 bar blues progression. Here in this lesson, I’m going to talk about approaching a 12-bar blues progression in a minor context, a major context, and a “hybrid” context which combines both major and minor. While the above ‘formula’ is the basic 12 Bar Blues, often we turn each chord into a ‘Dominant 7th’ chord. If you are playing the blues on your own, using this kind of bass line can also break things up a bit. You will probably be reminded of specific songs as you play the chords, because they are so common. Swing, 12-bar (V-IV) Blues for Alice - F - Med/Fast Swing, 12-bar "Bird" Blues. all of its extensions (9th,11th, and 13th) may be added to ANY or ALL of While technically we can bend any note, there is one note that we bend often with the minor blues scale. Although it is difficult to articulate the function of each chord, it helps to give a general idea. It is the ‘b5’ note that just sounds bluesy and cool. 12 bar blues progressions How to read the tables It has been used to produce countless hits including outside of the blues genre. It will always feel comfortable and safe. When playing a blues in A, like in the above examples, we can use an A minor pentatonic scale to improvise and construct solos. For PDF go to https://guitarreferenceguide.com/index.php/blues/In this video we lean some basic soloing concepts around the A Minor Pentatonic Scale. "jazzy" flavor. We will also explore the minor blues scale and look at how it’s a perfect fit for the 12-bar blues chord progression. Let’s do an example. minor blues progression to give your progression a more colorful or even What we’re going to do now is look at three blues licks, using the minor blues scale. The ‘blue’ note (the note that is added to produce the blues scale) is filled in blue, to make it obvious: You should be able to see (and hear, by playing) how similar they are, but also by comparing the two, you should notice the effect that the blue note creates. The second diagram (to the right) is of a minor blues scale. It has been used since the inception of the genre and appears in almost every iconic blues song ever written. Playing 12-Bar Blues. Practise the basic minor pentatonic scale first (black dots are root notes; red dots are other scale notes). Well, it has 12 bars, but I’m guessing that you already figured that out by the title. The theory behind all this stuff is explained in my Practical Music Theory ebook if … Minor Guitar Scales (Be sure to look for HARMONIC MINOR), Check back often because I am working on mp3 files and downloadable tabs for this page. The 12 Bar Blues And The Minor Blues Scale. Ok, back to the licks. I is the Tonic, IV is the Subdominant and V is the Dominant. Author fenderbender111 [a] 184. If you missed the lesson on the process of learning scales in five positions, and using licks to master scales and improvisation, read up on them by following the links. In the lessons on pentatonic scales, we learnt how to play the minor pentatonic scale, how to practise it in five different positions and how to improvise with it by learning licks. If you’re interested, the notes in the dominant 7th chord are: You can read more about the Dominant 7th Chord/Arpeggios here. For guitarists, it is an essential part of our repertoire. ©2020 onlineguitarbooks.com. Although it is ‘safe’ and ‘comfortable’, it creates a little bit of tension, because it is a move away from the ‘I’ chord. If you read the previous lesson, this will all make sense. Stylistically, bending notes and blues playing go hand in hand. Have a listen to this example of quick-change blues in E major: The songs used only a few, often only one “chord” all over the song. Compare the two and observe how there are only two notes added to the pentatonic scale to produce the blues scale (actually there is only really one note added, but it occurs twice because the following diagrams cover two octaves). In the case of the A minor blues scale, the ‘4’ is the D note. chord remains the same--MAJOR or DOMINANT 7. Taking this a step further additional notes coming from the Blues scale and even the Major Pentatonic scale can also be selectively used too. The minor pentatonic scale can be used over a 12-Bar Blues. Here you will learn many 12 bar blues progressions, from the most basic ones to more complex. 12 Bar Blues tab by Lessons - Guitar. You will probably feel a sense of familiarity when you play/hear the chord progression as you would have heard it in various formats many times before. The possibilities are endless – we could change keys, tempo, feel, time signature, and more. C Jam Blues - C, F, Bb - Med/Fast Swing, 12-bar (V-IV) Footprints - Cm - Med. 12-Bar Blues in A: Something new was born, and after several changes and various forms (and some of them are still used) the 12 bar Blues (look at the URL) became the most popular blues form. Both feature the I, IV and V chords (although the numerals are lower case in the minor blues progression). It sounded good, but perhaps a little bland. If we were to play a G major chord in the middle of a song that is in the key of B, it would sound weird, because G major does not belong in the key of B. They sound more like an opinion than a technical analysis. It sounds familiar. If not, you read it here. We’re only going to use one position and we’re only going to learn three licks. The blues scale sounds great paired with a variety of chords, but it’s especially at home being played over 12-bar blues. Now that you’re familiar with the 12 Bar Blues and the minor blues scale, we’re going to finish with a study that is based on both. The 12 bar blues is made up of 12 bars (crazy, huh?) The above ‘descriptions’ of the I, IV and V chords are deliberately vague. major--necessary to accommodate the HARMONIC MINOR scale. For example, ‘A7’ is actually an ‘A Dominant 7th’ chord. 12 Bar Blues The Blues typically follows a simple, repeating pattern known as the 12 bar blues. It goes like this: Playing the 12 Bar Blues in a particular key is simply a matter of figuring out the I, IV and V of that key and then using those chords with the above form. Why? Later the influences of the western music (western doesn’t stand for country here but for the western hemisphere) introduced chord changes, but they where different to the existing musical forms. In the above examples, each chord was played with a very simple strumming pattern, without altering the chords or the rhythm. 26,424 views, added to favorites 107 times. The 12 bar blues is the most basic blues chord progression. In both of those examples, I have finished with an A7 chord at the end. Another variation on the basic blues progression is the 12-Bar Minor Blues progression with the minor tonality in place of major. It is the minor blues scale. Here it goes. All Rights Reserved. Since the main difference between the Pentatonic Major and Minor is that the Minor has the b3 and b7 which both provide the tonality of the scale. Some only use two (such as the I and IV, or I and V). There is however, another scale that is very similar, but much more bluesy. The term "12-bar" refers to the number of measures, or musical bars, used to express the theme of a typical blues song. Louis Blues,” “Easy Rider,” and “Corrina, Corrina.” Each of these songs follows the 12-bar blues … It adds a soulful, bluesy sound that has been the ‘go to’ sound for thousands of guitarists over many years.
Birding Trips New York,
King Of All Dinosaurs,
Batavus Bike Price,
Mexican Blanket Seat Covers Tacoma,
The Queen Of Flow Episode 1,
Heart Passion Pursuit Live At Passion City Church,
Lasko 5309 Review,
Monoprice Tube Amp,
Hidash Arabic Meaning,